As part of their artist residency at Harold Washington College Anthony Romero and Josh Rios curated a set of glass cases on the 8th floor. The publications on display feature the work of Chicano illustrator and sci-fi novelist Ernest Hogan along side other artifacts and media that address ideas of Chicanafuturism in general.

Chicanafuturism, which Catherine Ramirez describes as fictive kin to Afrofuturism, attempts to make sense out of the relationship between the Chicana/o, science, and technology. As Ramirez points out, an increasingly key part of this framework is the ability to rethink brown cultural production through the lens of technology. If we read the Chicana/o as “a science fiction state of being,” which Hogan suggests, Ramirez asks us to consider the implications of such a reading for the overall “concepts of science, technology, civilization, progress, modernity, and the human.”

In addition, Romero and Rios organized a selection of drawings by Ernest Hogan on view on the 11th floor. These drawings feature a variety of situations that celebrate and investigate the role that the Chicana/o has to cyberculture, technology, counterculture, and history. Each drawing is paired with a text, written by Hogan, which both describes the rendered scenes and opens them up to wider spheres of interpretation.

As part of the project Rios and Romero worked with a group of students to imagine various cosmologies used to produce ostensible book covers for novels not yet written. These cosmologies also served as the ground for a collaborative print project between the students and Romero and Rios. Based on their cosmologies, students submitted abstracts of the unwritten books. The abstracts were then superimposed on the back of a pulp novel and printed for display. These images appear in both the glass cases on the 8th floor and on the 11th floor.

The artifacts and elements of this project were reconfigured for a group exhibition curated by Alberto Aguilar. Documentation below.